It centers around the iconic Don Draper, whose genuine talents and charisma are constantly being undermined by his self-destructive behavior.
Mad Men’s unhurried story lines and morally feeble characters have broadened the possibilities for a basic cable drama. Its plot lines are rarely wrapped up at the end of a single episode. Some plots last several seasons long, giving the show the pace of a novel, rather than that of a TV series.
Another one of Mad Men’s essential elements is its ambitious visual style. One part is the show’s meticulously-recreated post-war fashion and decor, complete with cigarette smoke so thick, you can almost smell it coming out of your TV.
The other part is Mad Men’s cinematic photography. It lends the show a gravitas normally reserved for feature films. It also bolsters the show’s vintage elegance in a way that makes this journey to another time seem even more authentic.
As the ads for the Mad Men’s final season state, this is the end of an era. In honor of the show’s final days, we’re going to talk with Chris Manley.
Manley directed several pivotal Mad Men episodes and was the cinematographer for almost the entire run of the series.
We’ll hear about the challenging career choices that brought him to work on the show.
We’ll also discuss the ideas behind big and small choices that were made while directing and shooting Mad Men, including what Lou and Cutler were saying in the computer room when Ginsberg went nuts.
The series finale of Mad Men airs May 17th on AMC.
Chris Manley is now directing and shooting for Masters of Sex, which begins airing new episodes July 12th on Showtime.
Dialogue editing on this episode was by Seven Morris.